WhitmanEffect

 
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The Whitman Effect

On the occasion of Walt Whitman’s 200th birthday in 2019, Whitman at 200 hopes to catalog the good gray poet’s lasting effect on us all. To date, hundreds of creatives have joined together to share their interpretation of Whitman’s effect on them and their communities.

If you want to tell us how America’s “poet of democracy” has influenced you, share your Whitman-inspired artwork on Facebook, Twitter, or Instagram with hashtag #TheWhitmanEffect, and tag us at @whitat200.

 
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Whitman Sampler

Mixtape Series

Produced by Homer Jackson

Heather Galler, Whitman. Courtesy of the artist

Heather Galler, Whitman. Courtesy of the artist

María Verónica San Martín, Dignidad, 2019, performance featuring Paloma Estevez and the artist at The Center for Book Arts, New York. Photo courtesy of the Artist. Photo: Wonwoo Lee. Provided to Whitman at 200 courtesy of The Print Center

María Verónica San Martín, Dignidad, 2019, performance featuring Paloma Estevez and the artist at The Center for Book Arts, New York. Photo courtesy of the Artist. Photo: Wonwoo Lee. Provided to Whitman at 200 courtesy of The Print Center

Joe Plageman, Sonograph 3, courtesy of Camden FireWorks. Photo by Robert Young

Joe Plageman, Sonograph 3, courtesy of Camden FireWorks. Photo by Robert Young

Lilly Zuckerman, Is, Was, and the In Between, porcelain, 2017. Courtesy of The Clay Studio

Lilly Zuckerman, Is, Was, and the In Between, porcelain, 2017. Courtesy of The Clay Studio

Tony Rocco, Children of the Mountain, archival digital print, 2005. Courtesy of Da Vinci Art Alliance

Tony Rocco, Children of the Mountain, archival digital print, 2005. Courtesy of Da Vinci Art Alliance

Jennifer Kaplan, Water on Mondays, umbrella, soil, plants, 2019. Courtesy of The Clay Studio

Jennifer Kaplan, Water on Mondays, umbrella, soil, plants, 2019. Courtesy of The Clay Studio

Marcus Branch, Danny, digital photograph. Courtesy of Da Vinci Art Alliance

Marcus Branch, Danny, digital photograph. Courtesy of Da Vinci Art Alliance

Image: Keith Carter. Tea Stain, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Image: Keith Carter. Tea Stain, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

©Zen Violence Films, H. Paul Moon

Silvère Boureau, Young Growth, acrylic. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Silvère Boureau, Young Growth, acrylic. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

N. Dia Webb, Finding God, ceramic, resin, plastic, 2019. Courtesy of The Clay Studio

N. Dia Webb, Finding God, ceramic, resin, plastic, 2019. Courtesy of The Clay Studio

Liisa Nelson, How I Carried All of My Regrets, ceramic, 2018. Courtesy of The Clay Studio

Liisa Nelson, How I Carried All of My Regrets, ceramic, 2018. Courtesy of The Clay Studio

Ann Hartzell, Unsolved is Unjust!, mixed Media, acrylics, decoupage. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Ann Hartzell, Unsolved is Unjust!, mixed Media, acrylics, decoupage. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Left: Mario Nascati, Untitled, digital photograph; Right: Nanci Hellmuth, Like it is, digital photograph. Courtesy of Da Vinci Art Alliance

Left: Mario Nascati, Untitled, digital photograph; Right: Nanci Hellmuth, Like it is, digital photograph. Courtesy of Da Vinci Art Alliance

Robert Lacy, Walt Whitman. Courtesy of the artist

Robert Lacy, Walt Whitman. Courtesy of the artist

K McQuain, Faun in a field of flowers, watercolor and ink. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

K McQuain, Faun in a field of flowers, watercolor and ink. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Keisha Whatley, Queen Culture Portrait, oil on canvas. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Keisha Whatley, Queen Culture Portrait, oil on canvas. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Uta Fellechner, Her Hand and Mine, archival photograph. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Uta Fellechner, Her Hand and Mine, archival photograph. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Thomas Eakins, Walt Whitman, oil on canvas, 1887-88. Courtesy of The Pennsylvania Academy of the Fine Arts

Thomas Eakins, Walt Whitman, oil on canvas, 1887-88. Courtesy of The Pennsylvania Academy of the Fine Arts

Grace Tessein, You, earthenware, porcelain, unfired porcelain clay mixed with the artist's partner's hair, 2018. Courtesy of The Clay Studio

Grace Tessein, You, earthenware, porcelain, unfired porcelain clay mixed with the artist's partner's hair, 2018. Courtesy of The Clay Studio

Jeleata Nicole, 3 Generations of the Kings, oil painting. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Jeleata Nicole, 3 Generations of the Kings, oil painting. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Katie Sleyman, Perfect Posture, porcelain, piano wire, kanthal wire, shrink tube, 2018. Courtesy of The Clay Studio

Katie Sleyman, Perfect Posture, porcelain, piano wire, kanthal wire, shrink tube, 2018. Courtesy of The Clay Studio

Dan Miller, Walt Whitman, three-color woodcut on laid rice paper, 1981. Courtesy of The Pennsylvania Academy of the Fine Arts

Dan Miller, Walt Whitman, three-color woodcut on laid rice paper, 1981. Courtesy of The Pennsylvania Academy of the Fine Arts

Sarah McEneaney, Untitled, from the series “#wehavenopresident”, 2016 – present, inkjet print, 11” x 8 ½”. Photo courtesy of the Artist. Provided to Whitman at 200 courtesy of The Print Center

Sarah McEneaney, Untitled, from the series “#wehavenopresident”, 2016 – present, inkjet print, 11” x 8 ½”. Photo courtesy of the Artist. Provided to Whitman at 200 courtesy of The Print Center

Image: Keith Carter. Song of Myself, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Image: Keith Carter. Song of Myself, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Image: Keith Carter. Verso, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Image: Keith Carter. Verso, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Karen Hunter McLaughlin, Hunter Ghosts: Feminine Tree 1865, rust, craborundum, mono print and chine collé on paper. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Karen Hunter McLaughlin, Hunter Ghosts: Feminine Tree 1865, rust, craborundum, mono print and chine collé on paper. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

©Zen Violence Films, H. Paul Moon

Allen Crawford, page from Whitman Illuminated: Song of Myself, 2014

Allen Crawford, page from Whitman Illuminated: Song of Myself, 2014

Mark Stockton, The Poet in His Bedroom of Walt Whitman in repose amongst a chaos of papers, graphite drawing, 2019. Courtesy of The Pennsylvania Academy of the Fine Arts

Mark Stockton, The Poet in His Bedroom of Walt Whitman in repose amongst a chaos of papers, graphite drawing, 2019. Courtesy of The Pennsylvania Academy of the Fine Arts

Andrea Walls, Lit, photography/digital inkjet print. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Andrea Walls, Lit, photography/digital inkjet print. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Constance Culpepper, American Flag, oil on canvas. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Constance Culpepper, American Flag, oil on canvas. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Elizabeth Guignino, Curious, clay and wood, 2019. Courtesy of The Clay Studio

Elizabeth Guignino, Curious, clay and wood, 2019. Courtesy of The Clay Studio

Image: Keith Carter. The Word is Become Flesh, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Image: Keith Carter. The Word is Become Flesh, 2018-2019, from the series “Walt Whitman: ‘Beautiful Imperfect things.’” Courtesy of the Artist.

Allen Crawford, page from Whitman Illuminated: Song of Myself, 2014

Allen Crawford, page from Whitman Illuminated: Song of Myself, 2014

Mindy Flexer, Spiral Blue 2, oil paint on linen mounted on panel. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Mindy Flexer, Spiral Blue 2, oil paint on linen mounted on panel. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Tim Barton, Recycled, found object assemblage. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Tim Barton, Recycled, found object assemblage. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

©Zen Violence Films, H. Paul Moon

Gary Grissom, Piggyback Riders, Mural, Chants Democratic, archival pigment print. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Gary Grissom, Piggyback Riders, Mural, Chants Democratic, archival pigment print. Courtesy of City of Philadelphia Office of Arts, Culture and the Creative Economy

Joe Plageman, Sonograph 1, courtesy of Camden FireWorks. Photo by Robert Young

Joe Plageman, Sonograph 1, courtesy of Camden FireWorks. Photo by Robert Young

Image caption: Didier William, Godforsaken Asylum, 2017, wood carving and ink on panel, 60” x 48”. Collection of Michelle and Pete Scantland. Photo courtesy of the Artist and Anna Zorina Gallery, New York. Provided to Whitman at 200 courtesy of The …

Image caption: Didier William, Godforsaken Asylum, 2017, wood carving and ink on panel, 60” x 48”. Collection of Michelle and Pete Scantland. Photo courtesy of the Artist and Anna Zorina Gallery, New York. Provided to Whitman at 200 courtesy of The Print Center

Joe Plageman, Sonograph 5, courtesy of Camden FireWorks. Photo by Robert Young

Joe Plageman, Sonograph 5, courtesy of Camden FireWorks. Photo by Robert Young

Barbara Henry, Walt Whitman’s Faces, linocut, 2012

Barbara Henry, Walt Whitman’s Faces, linocut, 2012